Marta Merino Wool Crew Sweater
Juicy Apple
By Kathleen Olsen · Published September 13, 2026 · Updated November 2026 · 10 min read
Bright Spring, also called Clear Spring, is warm and extremely high-chroma. Your colors are electric and sunlit: coral red, clear aqua, golden yellow, warm turquoise, bright emerald, hot warm pink. Muted and icy both flatten you.
Hex values are representative approximations. There is no single standardized Bright Spring hex set; different color-analysis sites publish different values for the same color name. Treat these as shopping guides, not law.
Your red. Orange in it, on purpose.
Swimming pool, not sea.
The yellow most people can't wear.
Green-leaning turquoise.
Emerald with yellow in it.
Pink, warmed up.
Not burnt. Bright.
Fuchsia that leans coral.
Lighter than coral red.
Spring leaf green.
Warm ivory
#F5EAD0
Camel
#C29A5B
Warm navy
#2A3B63
Warm grey
#A79E92
Warm espresso near-black
#2A211A
Warm navy does what black does for the Winters. Ivory does what white does.
Shown so you can spot them on a rail. These swatches are typical examples of each color, not palette values.
Dusty rose
Too muted.
Cool grey
Lifeless.
Mauve
Kills clarity.
Icy blue
Too cool.
Burgundy
Too deep and too cool.
Olive
Too muted.
Cool black
Chills your warmth.
Bright Spring is the rarest season, so almost nothing in a normal store is aimed at you. You need warmth and clarity at the same time, and retail treats those as opposites: the warm colors get muted into earth tones and the bright colors get chilled into cool brights. Your clear coral, your warm turquoise, your golden yellow fall through the gap.
The other issue is that people keep trying to make you a Winter because of your high contrast, and then cool black-and-white washes the gold right out of your skin.
This fall is a bad fit. The season went dark, cool and muted, which subtracts both of your requirements at once. Festival Fuchsia and Foxglove are named Pantone shades this season, and the warmer of those can work, but the overall mood is the opposite of your bright, warm palette.
This page is the guide. Below it is a live grid of clothes that are in your palette and in stock right now, pulled from real retailers, updated regularly. We do the color-matching. You do the shopping. When a color you want is gone, it is gone, and we will tell you that too.
Each color has its own page: who else can wear it, what it gets mistaken for, what retailers call it, and what is in stock in it today.
Coral red
#F25C4A
Clear warm aqua
#29C4C4
Golden yellow
#F5C518
Warm turquoise
#16BFA6
Warm bright emerald
#22B573
Hot warm pink
#F0568C
Clear orange
#F26B21
Warm fuchsia
#E0409A
Bright coral
#FF6F5E
Warm bright green
#7AC442
Warm grey
#A79E92
Camel
#C29A5B
All Bright Spring colors · Every color in the twelve seasons
Retailers never say "coral red." In their catalogs this month the Bright Spring palette is sold as Fire Flower, Orange Lily, Poppy Red and Holly. Search a shop by its own words and the right rack appears; search by the palette name and nothing does. The list is rebuilt from what is in stock each morning, so it tracks the season's actual product names rather than a fixed glossary.
| Coral red | BodenFire Flower, Orange Lily, Poppy Red · Christy DawnCandy Apple Red · Frank & EileenHolly, Poinsettia, Rose · Marine LayerBlush, Cherry Red, Chrysanthemum · STAUDCardinal, Holly, Red Rose |
| Golden yellow | STAUDChartreuse |
| Warm bright emerald | BodenMint · Christy DawnGrass |
| Hot warm pink | BodenCherry Blush · Frank & EileenRed · Marine LayerBlush, Bright Rose |
| Clear orange | BodenOrange Lily |
| Bright coral | Marine LayerBittersweet, Chrysanthemum |
| Warm bright green | BodenJuicy Apple · STAUDSprout |
Names come from pieces in stock today that match the color closely; a retailer uses several names for the same dye across seasons, and a name can move a shade between years.
Each piece is matched to a Bright Spring color. Sort by category, price, or color. When something sells out it drops off the grid. Links are affiliate links: we earn a commission when you buy through them, at no cost to you.
As of November 11, 2026, we're tracking 110 Bright Spring pieces across Boden, Christy Dawn, Frank & Eileen, Marine Layer and STAUD.
Bright Spring is most confused with Bright Winter, since both are the brightest, highest-contrast seasons. The split is temperature: you're warm and golden, Bright Winter is cool and blue. Your brights lean yellow-based; theirs lean blue-based.
Both warm, they're less extreme in chroma and a touch softer. If fully saturated color looks right rather than too much, you're Bright.
Both warm, they're lighter and gentler. If pastels look weak on you and vivid looks right, you're Bright.
Both electric, opposite temperatures. At-home test: warm coral against cool magenta. Coral makes a Bright Spring glow; cool magenta belongs to Bright Winter. Gold against silver confirms it: gold lights a Bright Spring.
Pink is where Bright Spring is sold the Winter version. Magenta, raspberry, shocking pink and most fuchsia carry blue, and on a Bright Spring they turn the skin pale and the lips grey. Your pinks are warm and loud: hot warm pink, a fuchsia with red in it, bright coral. Cherry Blush, Bright Rose and Pink Punch are retail names that tend to land; Magenta, Raspberry, Pink Power and Shocking Pink tend not to. Hold the pink against a sheet of white paper: if the edges look faintly orange it is yours, if they look faintly purple it belongs to Bright Winter.
Black is what every fall rack is built on, and it is the dark that flattens a Bright Spring fastest. It cancels the warmth in your skin and leaves only the contrast, which reads as tired rather than striking. Your darks are warm navy and a warm espresso near-black, both of which keep the warmth in your face and still frame a loud color. Navy, Espresso, Coffee Bean and Dark Chocolate are the names to search; Jet, Noir, Black Beauty and Onyx are the ones to walk past. If you love a black piece, keep it below the waist and put the color at the face.
Bright Spring wears coral, turquoise, golden yellow and green, and so do the Autumns. The difference is clarity. Terracotta, rust, sage, mustard, olive and anything described as faded or washed are the same hues with grey folded in, and on you they look dusty and heavy. Yours are the clean versions: Fire Flower, Orange Lily, Poppy Red, Juicy Apple, Sunflower. The test is the film: if the color looks like it has a thin grey layer over it, it belongs to Soft or True Autumn; if it looks lit from inside, it is yours.
Bright Spring’s neutrals are warm and clean, and their job is to frame a bright color, not to compete with it. There is no cool grey, no stark black and no dusty beige in the palette, which is why most capsule-wardrobe advice is wrong for you.
Bright Spring is the hardest season to shop, because it's both rare and needs a color combination retail rarely makes: warm plus vivid. The bright colors in stores skew cool; the warm colors skew muted. Your clear coral and warm turquoise appear briefly in spring and resort drops and then vanish. This fall is close to a write-off for the vivid warm pieces; the dark cool mood dominates, with warm-leaning Festival Fuchsia the one thread to pull.
Boden helps more than most because it genuinely uses color and leans warm: its coral, golden yellow and warm green pieces surface in spring and high summer, and its prints often carry clear warm brights. STAUD makes bright and clean but often cool; its warmer brights and clear greens are your access point, and its neutrals run too stark for you.
Boden is the most reliable source for the palette: its Fire Flower, Orange Lily and Poppy Red are a correct clear coral red, Juicy Apple is the warm bright green, Mint lands as the warm emerald, and Cherry Blush is the hot warm pink. STAUD's Chartreuse is a clean golden yellow and its Sprout is a bright warm green. Marine Layer's Bittersweet and Chrysanthemum are bright coral in easy cotton, and its Blush and Bright Rose run warmer than the names suggest. Christy Dawn's Grass is a clear green and its Candy Apple Red holds on you; Frank & Eileen's Holly and Poinsettia are the warm reds in shirting. The table above tracks all of these against what is in stock today.
Golden yellow in a wearable garment is your rare win and it sells through fast.
Yes. Clear Spring and Bright Spring are two names for the same season: warm with a faint neutral edge, and the highest chroma of the warm seasons. Sci\ART and most twelve-season systems say Bright Spring; tonal systems and many online quizzes say Clear Spring. If a guide or a product says Clear Spring, everything on this page applies.
Only warm, clear pastels, and even then they are weaker on you than saturated color. A clear peach, a warm aqua or a buttery yellow can work as a shirt under a camel coat, but they never do what bright coral or warm turquoise does. Muted pastels (dusty rose, sage, lavender-grey) and cool pastels (icy pink, baby blue) flatten you at once. If you want something light, warm ivory with one bright accent beats a head-to-toe pastel.
A warm espresso near-black, yes. True cool black, rarely near the face: it cancels your warmth and leaves only the contrast, which reads harsh. Warm navy is the better dark for tailoring and coats, and espresso is the better near-black for evening. If you own black you love, wear it below the waist and put a clear warm color at the face.
A clear coral red or a warm true red: poppy, fire, tomato with a little pink in it. The red should look faintly orange against white, never faintly purple. Blue-reds (cherry, crimson, raspberry red) fight your warmth, and deep reds (wine, burgundy, brick) are too heavy. Boden’s Fire Flower and Poppy Red and Christy Dawn’s Candy Apple Red are retail names that reliably land.
Yellow gold at high shine, with rose gold close behind. Polish suits the season’s clarity, so a bright finish beats brushed or antiqued metal. Clear warm stones (citrine, coral, turquoise, peridot) work, and so does gold with a bright enamel. Silver and platinum read cold against warm skin; if you love a silver piece, wear it away from the face.
Temperature, because both seasons are electric and the brightness will not tell you apart. Hold bright coral and hot pink to your jaw in daylight: coral lights a Bright Spring and goes orange on a Bright Winter; hot pink lights a Bright Winter and goes harsh on a Bright Spring. Then try gold against silver, which is the clearest single test, and warm ivory against optic white. A Bright Spring’s features read golden and glowing rather than stark.
Warm ivory, camel, warm navy, warm grey and espresso. Warm ivory is the white, camel the everyday neutral, warm navy the dark for tailoring, warm grey the quiet option, and espresso the near-black. There is no cool grey, optic white or true black in the palette. The section above on which neutral does which job goes through each one.
Because the season needs warm and bright at the same time, and retail rarely makes that combination. Most bright color in stores runs cool (fuchsia, cobalt, emerald), and most warm color runs muted (rust, olive, camel). Clear warm brights show up in spring and resort drops and then vanish, so the best strategy is to buy color in March to June and neutrals any time. The daily grid on this site exists for exactly this problem.
Emma Stone, Kerry Washington and Gwen Stefani are the names most often cited by analysts. None has been publicly draped, so treat them as illustrations of the look rather than confirmed typings: warm, clear coloring with a bright eye and a visible contrast between hair and skin. The common thread is that they look best in clean warm color and tired in black.
The rarest season, estimated at 3 to 5 percent by PersonalColorAI, because warm coloring with very high contrast and clarity is an unusual combination. It is also under-typed: a lot of Bright Springs are told they are Bright Winters because they can carry strong color, and only find their season when gold beats silver on draping. No formal census exists, so treat the number as analyst consensus rather than data.